Mutations Shoot (Day 2)

Images: Daniel Barella

Mutations Production Stills

Images: Daniel Barella

Mutations Shoot (Day 1)

Images: Aaron Blenkin

Images: Daniel Barella

Special thanks to everyone who helped out during the preparation and on the day:

Ian Bailey, camera

Daniel Barella, documentation

Aaron Blenkin, assistant (camera) and documentation

Jo Brossman, costume design

Satinder Chumber, special effects make up

Wendy Erickson, movement research and director on the shoot

James Froment, lighting consultant

Jenny, assistant (make up)

Paul Kemp, camera grip

Fiona Wright, movement research and mentoring

Designer Bodies

New work Continuum will premier at the Designer Bodies event during the Newcastle Science Fest 2010, for more information click here

The Sweet Spot

Above are some examples of Fulldome master images showing the level of distortion required to compensate for the 36o viewing experience in the planetarium dome. The 'sweet spot' is the name given to the spot between 35 - 45 degrees from the bottom front of the hemispherical viewing screen in a planetarium with a forward facing arrangement. This is the natural focus for the eye of the viewer and can be used and manipulated in the production of the work.

Recording at Newburn Surgery

Ben, Nick and me took up residence in Newburn Surgery for a day to gather sounds created by the body using their medical equipment. Working with microphones and equipment on loan from Culture Lab, Newcastle and with direct recordings made by the fetal ultrasound doppler machine.

National Space Centre - Continuum Research Trip

Chris, Ian and me visited the National Space Centre in Leicester to conduct research for the Continuum project. We met with Paul Mowbray, the director of NSC Creative, the department responsible for creating high end computer generated fulldome animations for planetariums worldwide. Paul very kindly offered his time to run through a couple of nagging questions about the shift from flat plane video to the hemispherical immersive environments of planetarium screens. The meeting also gave us the opportunity to watch some of the teams productions on their planetarium screen, which is even bigger than the one at Life, measuring a whopping 60 ft in diameter - it's huge! The experience was different again from that of previous planetariums I had visited. I realised that taking this work on from Life could be tricky, especially when it comes to defining the 'sweet spot' and mixing the soundscape.

The Planetarium

Images of the Planetarium space at Centre for Life by Nick Able.

Triparks Preview - ACAdovetail

Exhibition featuring work by a great bunch of artists, who I got to know through my time on the Triparks residency: Karen Guthrie, Bridget Kennedy, Volkhardt Müller, Hugh Nankivell and Harald Smykla.

Continuum - New Work for Newcastle ScienceFest 2010

Exploring notions of beauty and the struggle for perfection, 'Continuum' peers through the looking glass into another world, somewhere between the familiar and the the unknown, where the body is transformed.

I am developing a new video work for Newcastle ScienceFest 2010. the work will be specially adapted for the unique setting of the planetarium at Newcastle's Centre for Life. Shooting will begin at the Lab Space at Dance City in January with Ian Bailey (Darkeye Digital)

The work has been in the planning for some time. It marks the first outcome of over a year of research, which has included residencies with the Medical Research Council, Virology Unit (Glasgow), Allenheads Contemporary Arts (Northumberland) and Dance City (Newcastle).

I have been working with Chris Hudson (Public Engagement Technical Coordinator) at Life to figure out logistics of creating Fulldome video for the hemispherical surface of the planetarium. We plan to visit the National Space Centre in Leicester to meet with Paul Mowbray in their creative department and talk about some of the technical aspects of this form of creation. National Space Centre Creative are responsible for some of the most innovative Fulldome productions, view some trailers here.

A specially created 5.1 surround soundscape will be commissioned by Nick Able and Benjamin Freeth. We hope to gather sounds from the body using specialised microphones and to blend these with synthesised elements to create an atmosphere that will both inform and respond to the visuals.

Review of INX

Click here to view a review of INX by Claire Rousell on a-n interface.

Filler - Set Up at INX

Filler at INX

Filler

By Paul Grimmer

Taking place at: The Star and Shadow Cinema, Monday 9^th November

Between: 4 pm and 8 pm, bookings on the day

A work for one person at a time, adapted for the theatrical setting at the Star and Shadow Cinema during the INX event.

Placing one against another…

The work plays with the senses, exploring the psychological and unseen forces operating between two bodies in space. Exposing in the gaps between a primitive desire to fill and smooth space, interrupt and control time and cover up the silence.

Originally developed and performed during an exchange with Istanbul where participants memories and fears of interrogation transformed the work. This adapted version, in an overtly theatrical setting places the spotlight on the viewer. Taking a familiar space with familiar rules and etiquette and shifting the balance of power.

INX has been organised by 25 Stratford Grove, and is taking place as part of Wunderbar Festival 2009

INX is supported by Arts Council England, Grants for the Arts.